Smile vector icon

Ingmar Bergman’s 1948 film Port of Call includes a scene where the unhappy Berit draws a sad face – closely resembling the modern “frowny”, but including a dot for the nose – in lipstick on her mirror, before being interrupted. In 1953 and 1958, similar happy faces were used in promotional campaigns for the films Lili and Gigi.

The smiley was first introduced to popular culture as part of a promotion by New York radio station WMCA beginning in 1962. Listeners who answered their phone “WMCA Good Guys!” were rewarded with a “WMCA good guys” sweatshirt that incorporated a happy face into its design. Thousands of these sweatshirts were given away. The WMCA smiley was yellow with black dots as eyes, but it had a slightly crooked smile instead of a full smile, and no creases in the mouth.

The graphic was further popularized in the early 1970s by Philadelphia brothers Bernard and Murray Spain, who seized upon it in September 1970 in a campaign to sell novelty items. The two produced buttons as well as coffee mugs, t-shirts, bumper stickers and many other items emblazoned with the symbol and the phrase “Have a happy day” (devised by Gyula Bogar),which mutated into “have a nice day”. Working with New York button manufacturer NG Slater, some 50 million happy face badges were produced by 1972.

smile vector icon

In 1963, Harvey Ball, an American commercial artist, was employed by State Mutual Life Assurance Company of Worcester, Massachusetts (now known as Hanover Insurance) to create a happy face to raise the morale of the employees. Ball created the design in ten minutes and was paid $45 (equivalent to $330 USD in 2012 currency). His rendition, with bright yellow background, dark oval eyes, full smile and creases at the sides of the mouth, was imprinted on more than fifty million buttons and was familiar around the world. The design is so simple that it is certain that similar versions were produced before 1963, including those cited above. However, Ball’s rendition, as described here, has become the most iconic version. In 1967, Seattle graphic artist, George Tenagi, drew his own version at the request of advertising agent, David Stern. Tenagi’s design was used in an advertising campaign for Seattle-based University Federal Savings & Loan. The ad campaign was inspired by Charles Strouse’ lyrics in Put on a Happy Face from the musical Bye Bye Birdie. Stern, the man behind this campaign, incorporated the Happy Face in his run for Seattle Mayor in 1993.

In the UK, the happy face has been associated with psychedelic culture since Ubi Dwyer and the Windsor Free Festival in the 1970s and the dance music culture that emerged during the second summer of love in the late 1980s. The association was cemented when the band Bomb The Bass used an extracted smiley from Watchmen on the centre of its Beat Dis hit single.

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smile vector icon

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Smile vector icon